Inhabiting Light – Dialogue on the Edge of the Everyday World dtv Puis l’eau s’est retirée et

Puis l’eau s’est retirée et a laissé de l’argile derrière elle

La conjugaison du point de vue aérien et de l'abstraction permet d'interroger la capacité de nos territoires contemporains à délivrer une forme d'intelligibilité : que regardons-nous

commence en 2012

and exchange on their paths around the world

ici et maintenant

Inhabiting Light – Dialogue on the Edge of the Everyday World dtv Puis l’eau s’est retirée etThis book is a compilation of exchanges. It begins with photographer Rinko Kawauchi responding to a piece written by philosopher Masatake Shinohara, after which he writes something in response to her photograph. The texts are written as a series of indirect responses to the images not as commentary on them. According to Shinohara, it was important to adjust the feeling to the reality of the place from which the photograph emerges, to understand it in