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il était mécano
les initiatives fleurissent sur tout le territoire
en se basant sur les journaux intime de celle-ci
une voiture rouge fend l’air lugubre
Prises pour mettre en valeur une lumière métallique
Rude in the Good Way Testut il était mécanoRude in the Good Way explores desire as both subject and method within Roe Ethridges complex visual bricolage of commercial glamour, errant snapshots, private sexuality and studio play. Working through his characteristically oblique, offhand style, Ethridge lets sexuality, identity, seduction and the camera drift into the same plane, never fully separating one from the other. Loosely woven fugues of images converge, always cheekily winking toward
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